Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts

Wednesday, April 25, 2007

A few new writing ideas

The first and last, I can lay no claim to, they were entirely prompted by my child, but in the aftermath of them I realized what an excellent fine motor activity took place.

Writing your own music

Basically get a piece of manuscript paper and the child writes their own music. You can either print a piece up online or buy a pad of it at the music shop. If you wish you can introduce the child to the concepts of whole notes, single, quavers or minims, but again not really necessary. We simply figured out what the notes were after he'd filled up the page. Then we tried to pick it out on the piano with difficulty until we received assistance from a more musical friend and voila! What a pretty piece of music it turned out to be.

Messaging

Sort of like the concept of instant messaging. Instead of having a conversation take a notebook (this also works very well with the NEO keyboard) write a comment down about anything (could be something happening in the room, outside the window, or a bunch of compliments like "I think you're great" which will usually elict a smile) and hand it to the child to write a response. If the child resists writing then scribe for them or reply to what they verbalise. Eventually they tend to become curious and grab the pen. It helps to keep it humorous. If the child is more visual depict a cartoon instead. Draw a picture and pass the book over and let them draw the next one.

Maps

Take an atlas and photocopy several pages of various maps which depict oceans in between the continents. Give the child a pencil, coloured pencils or pens and encourage them to create shipping routes between the countries or simply doodle on the photocopied map. Maps are fascinating and it's a engaging activity where the fine motor activity is incidental to something that's more interesting going on.

Friday, November 24, 2006

My drawings are no good: The minor miracle of oil pastels and tissues

“My drawings are no good. They never turn out how I want them to turn out. They don’t look beautiful. I want to draw good hamsters… “are sometimes the common refrains from children who have written output struggles.
Leaping in with … “nonsense that’s not true, I think you’re great at drawing,” whilst well intended will not always diffuse the steam of gloom in moments like that. It’s very important to acknowledge the frustration and counter it on several levels with a broader approach than “you’re good at it because I say you are” This is especially important with gifted children, who are often perfectionists and can be highly discerning. You have to counter with open ended questions, not statements.
One thing I have found helpful is to introduce many art references with a heavy emphasis on more abstract artists. You have to broaden their artist vocabulary so they don’t become too dependent on the idea that art is singularly about drawing a decent tree.
More important still is the tangible experience for the child to get closer to reproducing something in the manner they desire.
I asked my child what he thought a beautiful picture looked like. In rather startling and poetic terms he described a very particular scene involving an airballoon, a red sunset, a person and a cat based on something he had seen somewhere and tried to reproduce and had been disatisfied with the results.
I suggested we try again and use different materials like oil pastels, where fine lines aren’t the main route to rendering an image.
Somewhat skeptical, he began with a line and then asked is that right, a line for the sky? So I asked if he ever saw the sky begin and end in a neat line. I pointed out that most things merge into one another. At a certain point when the sunset was suitably underway, I remembered seeing someone smudging a canvas with some kind of kitchen roll at an art workshop recently. I showed what happened if you used to tissue to soften the pastel. He found this tool very encouraging and began to layer and experiment much more with the colours. He was very caught up in it. He was finally happy with the sunset.
There were a few stumbly areas when the person needed to be drawn where he tried to get me to do it. Slowly I talked him through it offering encouragement more than any specific direction about how he might drawn the person. I could see it was a very fragile process because he might become intensely dissatisfied suddenly with some aspect of it and abandon it. I didn’t want that to happen. It seemed helpful having someone to hand the pastel over when requested and just listen as he listed the stages of what would happen aloud.
Sometimes it’s just about taking the time to go back over an experience when a child declares they are no good at something and introduce a more varied menu.
I find the example of music a good one to use when children who struggle with written output propose they want to be like all the other children (which is, of course, a very valid and understandable feeling.) I often give the example of a singer by saying if Pete Seeger wanted to be like everyone else there would be no Pete Seeger. It usually helps if the CD is playing in the background!
Another tip I found is encouraging the child to trace things the child likes eg: pokemon cards, or book covers.
Materials that may be useful to experiment with: tracing paper, canvas, soft pencils (2b)(3b), oil pastels, chalk pastels (especially on darker card).